The Unclaimed Possessions of Memory: Redefining the Frontiers of the Cinema in The Remains of the Day by Kazuo Ishiguro

Abstract

Aim: In this paper, the aim is to explore memory and cinematic representations while investigation as to how various issues like personal regret, loss, idea of dignity and loyalty, political influence in social and interpersonal spaces and resistance etc. are visually represented. Through the protagonist Stevens, the material objects and spaces in the Darlington Hall against political background are analyzed as microcosm of the contemporary modern world which is long forgotten.

Methodology and Approach: The author have consulted the primary and secondary sources as part of their research. Further the researcher has applied the film adaptation theory is respect of both Andre Bazin and Béla Balázs in this work with the intention to bring out the technicalities and nuances of adaptation from novel. In addition, the online material pertaining to the text The Remains of the Day and its relevance in modern world has been discussed in detail.

Outcome: Through this paper, the researcher has found that the crisis pertaining to the protagonist as an individual is common to every man. It uncovers the fact that the façade and shimmer of identity under material achievements results in a tragedy. The researcher also wishes to pin point the fact that special attention must be given to film studies and adaptation that redefines the texts and makes the text more relevant and accessible in present context.

Conclusion and Suggestions: Though through adaptation there are different meanings in the text that have been highlighted but still the understanding of the microcosm of Darlington Hall needs to be extrapolated to the political gatherings for qualitative analysis.