Mapping the History, Different Dimensions and Interpretation of Art in India with Special Reference to Painting

Authors

  • Mukesh Kumar Research Scholar, The English and Foreign Languages University, India https://orcid.org/0009-0005-9770-8068
  • Riddhima Yadav Research Scholar, The English and Foreign Languages University, India

Keywords:

Indian Painting, Cultural Identity, Spirituality, Traditional Art, Colonial Influence, Feminist Art, Globalization, Art Interpretation

Abstract

Aims: To explore the history, dimensions, and interpretations of Indian art, with a focus on painting, analyzing its evolution, spiritual essence, and cultural significance. The study aims to highlight Indian art's historical and symbolic aspects and its impact on identity and society.

Methodology and Approaches: The research examines Indian painting through its spiritual, emotional, and aesthetic aspects, incorporating historical contexts and artistic philosophy. The study explores various painting styles, such as Mithila, Rajasthani, and Himachal, tracing their origins, themes, and symbolic representations

Outcome: Indian art is found to reflect spirituality, ritualistic traditions, and socio-cultural narratives. It retains its relevance by blending ancient motifs with contemporary themes. Paintings such as Mithila and Rajasthani embody deep cultural symbolism, while post-independence art reveals political, feminist, and autobiographical dimensions. The study also identifies commercialization’s dual impact, fostering global recognition but risking the erosion of indigenous identity.

Conclusion and Suggestions: Indian art is a repository of tradition, spirituality, and socio-political expression. Misinterpretations arise from applying Western frameworks to indigenous art, emphasizing the need for contextual understanding. Suggestions include fostering authentic interpretations, preserving traditional forms, and promoting artists’ voices to sustain the rich cultural heritage. Encouraging cross-cultural dialogue while safeguarding uniqueness is crucial for its continued relevance.

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Author Biography

Mukesh Kumar, Research Scholar, The English and Foreign Languages University, India

Mukesh Kumar (B.A., M.A., UGC-NET-JRF) is currently pursuing a Ph.D. in English Literature at The English and Foreign Languages University, Regional Campus, Lucknow. He holds an M.A. in English from Banaras Hindu University and a B.A. (Honours) in English from C.M. College, LNMU, Darbhanga. His areas of interest include Visual Culture and Cultural Studies.

Riddhima Yadav, who holds qualifications in B.A., M.A., B.Ed., and UGC-NET, is pursuing a Ph.D. in English Literature at The English and Foreign Languages University. She completed her B.A. (Honours) in English at Gargi College, University of Delhi, and her M.A. in English at Jesus and Mary College, University of Delhi. Her research interests include Dalit Feminism, Black Feminism, Subaltern Studies, and Cultural Studies.

Published

24.01.2025

How to Cite

1.
Mukesh Kumar, Riddhima Yadav. Mapping the History, Different Dimensions and Interpretation of Art in India with Special Reference to Painting. SPL J. Literary Hermeneutics: Biannu. Int. J. Indep. Crit. Think [Internet]. 2025 Jan. 24 [cited 2025 Mar. 12];5(1):32-50. Available from: https://literaryherm.org/index.php/ojs/article/view/185